Mobile Toilet Made by Shougong Geng
There is currently no public information indicating that Shougong Geng has made a mobile toilet. Here is a detailed introduction to the situation regarding Shougong Geng and toilets:

The toilet situation in Shougong Geng's studio
According to public reports, Luo Yonghao once visited Shougong Geng's studio and found that there was no air conditioning in the studio, and an old-fashioned outhouse was used. An outhouse is a relatively traditional and simple form of toilet, usually without flushing facilities, and differs greatly from modern mobile toilets in terms of structure and function. Mobile toilets generally have characteristics such as mobility and relatively complete sewage and sanitation treatment systems, while outhouses do not possess these features. They mainly meet basic excretion needs and are relatively inferior in terms of sanitation and convenience.
Possible reasons why Shougong Geng has not made a mobile toilet
- Focus on creative direction: Shougong Geng has become popular on the internet for his unique creativity and handicraft skills. His works mainly focus on items that are interesting, practical, and creative, such as self-made Iron Man helmets and cleaver phone cases. These works often place more emphasis on entertainment and being topics of conversation, while a mobile toilet is a relatively conventional product with a clear functional orientation, which may not align with his usual creative style and direction.
- Production cost and difficulty: Making a qualified mobile toilet requires consideration of multiple aspects, such as structural design, sewage systems, and sanitation treatment, involving certain engineering knowledge and technical requirements. In comparison, some of the items Shougong Geng has made in the past may be relatively easier to control and implement in terms of technology and cost. The production of a mobile toilet may be beyond the scope of his current creative focus.
What the use of an outhouse in Shougong Geng's studio reflects
The use of an outhouse in Shougong Geng's studio to some extent reflects his frugal lifestyle. This simple living facility also aligns with his image of being focused on handicraft creation and not pursuing material comforts. It shows the public his down-to-earth and unpretentious side, rather than devoting a great deal of energy to the luxurious enjoyment of improving living facilities.




